An Elementary School Classroom in a Slum (Prescribed for class
XII in C.B.S.E.)
Poet: Stephen Spender
Main Points about the Poem:
The poet visits a school located in a slum area. He is shocked
to notice the miserable condition of those poor children. Even the condition of
the school is pitiable.
Description about the children sitting in the class room:
1. He watches the faces of
the children sitting in a class room. These are pale and without blood. The
poet compares them with the rootless weeds which become yellow and lifeless.
Normally, the children are full of activities and energy as we find in the
gusty waves of sea. But these children are passive and lacking in energy.
2. The hair of the children
is untidy and hanging over their pale faces. Then the poet gives more examples
of such children. There is a tall girl whose head is bent (jhuka hua). The poet
calls another boy ‘the paper seeming boy’. It means that he is as light as a
paper. His eyes are looking like that of a rat. It means that his face is very
weak and small and his eyes seem to be big and bulging out.
3. There is another boy who
has not grown properly. He is an ill-fed boy who has inherited a disease from
his father. His bones are twisted. He is reciting his lesson. Then the poet
notices a little boy sitting at the back bench. He is not properly visible due
to dim light in the class room. He is a sweet child who has dreamy eyes. His
mind is not in the class room. He seems to think about a squirrel that plays
joyfully in its room, that is, a tree. He desires to have that type of class
room for himself.
Stanza 2. Description of the class
room
1. A foul smell like that
of sour cream is coming from the class room of the school in slum area. On the
dirty wall of the class room, there are the names of the donors. These people
must have given donation for building the school. In addition to this, there is
a picture of Shakespeare’s bust. The poet calls Shakespeare ‘wicked’ as the
children might feel tempted to steal it.
2. There are several
other pictures like scenery of a dawn without clouds, a picture of a main
church of a district, of the Austrian Tyrol valley with bell shaped flowers.
3. There is also a picture
of the map of the world. The map has been called ‘open handed’ because it shows
the world with all of its seas and lands. The poet calls this map a bad
example. It creates a contrast between the two worlds. The world of the poor
children is limited. It has no beautiful valleys, flowing rivers, cape, etc.
Their world is limited to a narrow street under a dull sky.
4. But these children have
nothing to do with these pictures or the list of the donors. Their world is
only that dirty class room. They watch through the windows only dim fog. It
signifies that their future is also dim and foggy. The lane of their future
seems to be blocked in the dull sky. Their world has no beautiful rivers,
valleys and capes (peninsula/isthmus/neck of land). Their world is also without
sweet promises usually made by politicians.
Stanza 3.
1. It is not good to show
them the outside world. They have no means of livelihood. So they may be
tempted to steal in the world of Shakespeare shown to them through the open
map.
2. They pass their life
like rats in small rooms and the outside world is dim and foggy for them. It is
like an endless night. Then the poet describes their weak bodies which have no
vitality left in them. He compares their bodies to the heap of slag. Their
bones are clearly visible from the skin of their bodies. They wear second hand
spectacles. All of their time is spent in that dirty class room and foggy and
dark lanes of their slum area. So it would be better to show in the map their
slum area which as large as hell is.
Stanza 4.
1. The poet now addresses
some words for the governors and the inspectors of these schools. They always
come there only to make a formal visit. The poet says that the map of the world
is meaningless to them unless these poor children are taken out of the slum
areas. At present the windows of their class rooms enable them to look at the
outside world. But the world seen by them is foggy and dark. It is no more
beautiful for them. Their life is lost in those dark and foggy lanes which seem
to lead them to their graves.
Then the poet makes an appeal to the governors, the inspectors
and the visitors to break their windows. They may be allowed to move out of
those narrow lanes and come in under the open sky. They would watch green
fields and play there in golden sand under the blue sky. Once their life
becomes without worries of life, they will focus on their study also. The white
leaves of the books and the green leaves of the trees would play an equally
important role in the growth of their life. In the end, the poet says that
history belongs to the people whose children are free to move anywhere in the
open fields as the sun moves freely in the sky.
An
Elementary School in a Slum
(I)
Important Stanzas
Stanza
1.
Far
from gusty waves these children's faces.
Like rootless weeds, the hair torn around their pallor.
The tall girl with her weighed-down head. The paper-
seeming boy, with rat's eyes. The stunted, unlucky heir
Of twisted bones, reciting a father's gnarled disease,
His lesson from his desk.
Like rootless weeds, the hair torn around their pallor.
The tall girl with her weighed-down head. The paper-
seeming boy, with rat's eyes. The stunted, unlucky heir
Of twisted bones, reciting a father's gnarled disease,
His lesson from his desk.
1.
Name the poem and the poet.
Ans. The
poem is An Elementary School in a Slum and its poet is Pablo Neruda
1. How have the faces of the children been described?
Ans. the faces of the children have been
described pale and without blood.
2.
What has been said about the tall girl and the paper boy?
Ans. The tall girl is
sitting with her head bent down. The poet calls a boy a paper boy because he is
very thin and his eyes seem to be bulging out due to hunger. Explain: ‘unlucky heir of twisted bones’
Ans. He is an ill-fed child suffering from a
gout-like disease, which he has inherited from his father.
Stanza
2.
At
back of the dim class
One unnoted, sweet and young. His eyes live in a dream,
Of squirrel's game, in the tree room, other than this.
One unnoted, sweet and young. His eyes live in a dream,
Of squirrel's game, in the tree room, other than this.
1.
Why do you think the
class was dim?
Ans. There was no proper
ventilation for the light to enter the class-room.
2.
Who was sitting at the
back of the class?
Ans. A
little sweet boy with dreamy eyes is sitting at the back of the class.
3.
What was the little
one dreaming of?
Ans. He
is dreaming of a squirrel that plays joyfully in its room, that is, a tree.
4.
Explain the words:
‘other than this’
Ans. It means the little
boy is thinking other than the class room where he is sitting.
Stanza
3.
On
sour cream walls, donations. Shakespeare's head,
Cloudless at dawn, civilized dome riding all cities.
Belled, flowery,Tyrolese valley. Open-handed map
Awarding the world its world.
Cloudless at dawn, civilized dome riding all cities.
Belled, flowery,Tyrolese valley. Open-handed map
Awarding the world its world.
1. What type
of walls has been referred to in these lines?
Ans. Dirty
walls that give out a sour-cream-like smell have been referred to here.
2. What
is meant by ‘sour cream walls’?
Ans. When
cream gets sour, it gives out a very foul smell. Here the walls give out a
sour-cream like smell due to dampness, children who live in unhygienic
conditions and lack of proper ventilation in the classroom.
3.
What
donations are there on the walls?
Ans. There
are some donated things like Shakespeare’s bust, pictures displaying a
cloudless dawn time, a church dome Tyrolese valley full of belled shaped
flowers and also the map of the world.
4.
Why
has the map been called to be ‘open handed’?
Ans. The
map of the world has been drawn with full generosity in the sense that no
physical feature on the earth has been left out. So it is called open-handed.
Stanza
4. And
yet, for these
Children, these windows, not this world, are world,
Where all their future's painted with a fog,
A narrow street sealed in with a lead sky,
Far far from rivers, capes, and stars of words.
Children, these windows, not this world, are world,
Where all their future's painted with a fog,
A narrow street sealed in with a lead sky,
Far far from rivers, capes, and stars of words.
1.
What does the map on
the wall signify?
Ans. The map informs them of a different world, It would create a bitter contrast and
make them sad and misfit. That world is not meant for them.
2.
Who are these
children? What is their world like?
Ans. These children are
from poor families living in a slum area. There is world is like a closed cell.
3.
What kind of their
future is seen by the poet?
Ans.Their future is not
bright. It is dim and foggy.
Stanza
5 Surely, Shakespeare is wicked, and the map
a bad example
With ships and sun and love tempting them to steal--
For lives that slyly turn in their cramped holes
From fog to endless night?
With ships and sun and love tempting them to steal--
For lives that slyly turn in their cramped holes
From fog to endless night?
1.
Why
has the map been called ‘a bad example’ by the poet?
Ans.
2.
‘Tempting
them to steal.’ Who does the word ‘them’ refer to?
Ans.
3.
What
kind of their life do they live?
Ans.
4.
Why
is Shakespeare decribed as wicked?
Ans.
5.
Explain:
‘From fog to endless night.’
Ans.
Stanza
6. On their slag heap, these children
Wear skins peeped through by bones and spectacles of steel
With mended glass, like bottle bits on stones.
All of their time and space are foggy slum.
So blot their maps with slums as big as doom.
Wear skins peeped through by bones and spectacles of steel
With mended glass, like bottle bits on stones.
All of their time and space are foggy slum.
So blot their maps with slums as big as doom.
1.
What does the words
‘slag heap’ signify?
Ans.
2.
What sort/kind of life
do these children lead?
Ans.
3.
Which figure of speech
has been used in the last two lines?
Ans.
Stanza
7. Unless, governor, teacher, inspector, visitor,
This map becomes their window and these windows
That shut upon their lives like catacombs,
Break O break open 'till they break the town
This map becomes their window and these windows
That shut upon their lives like catacombs,
Break O break open 'till they break the town
1.
What is meant by ‘this
map’?
Ans.
2.
What are these windows
the poet is talking about?
Ans.
3.
What has been referred
to as ‘catacombs’
Ans.
4.
What does the poet
want to be done by the governors, inspectors and the visitors?
Ans.
Stanza
8. And show the children green fields and
make their world
Run azure on gold sands, and let their tongues
Run naked into books, the white and green leaves open
History is theirs whose language is the sun.
Run azure on gold sands, and let their tongues
Run naked into books, the white and green leaves open
History is theirs whose language is the sun.
1.
What
children is the poet talking about?
Ans.
2.
Where
does he want to take them?
Ans.
3.
What
is meant by ‘the white and green leaves’?
Ans.
4. Explain: “History
theirs whose language is the sun’
Ans.
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